It is an alien realm, where sickly particles float through the air and plant life comes exclusively in skeletal and fungal varieties.
Upon entering the Depths proper, the music blares a discordant bass note to signify that we’ve arrived somewhere entirely new. Screenshot: Nintendo / Kotaku Into Tears of the Kingdom’s Depths Even the NPCs warn us to stay away from it, though it’s not long before you jump down and snake deeper and deeper away from the light. The 22 Best Games For The Nintendo SwitchĪnd yet, while playing, it’s difficult to miss the chasm planted at the center of the map, a geyser of malignant fumes and glowing red Gloom. The 15 Best Games For Sony's PlayStation 5 Even now, word-of-mouth tends to focus on the elaborate contraptions formed by the new game mechanics rather than tense survival in the dark. As misdirection goes, it’s brilliantly subtle with a lot of floating islands extending the world upward, we hardly expect the game to expand downward, too. The game’s very marketing took care to preserve a sense of surprise by largely focusing on Hyrule’s new aerial realm.
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Tears of the Kingdom in particular blindsides us with the most threatening and unsettling imagery the series has seen for more than a decade. And it’s those expectations, or the total lack of them, that allows fear to so effectively worm its way into the Zelda games time and time again, constantly catching the player off guard. Its world is populated by oddball NPCs with exaggerated designs, emphasizing bulbous facial features or big hair the denizens of Zelda are cartoons, regardless of what the actual art style is. Rather than associating the Japanese series with horror, we imagine a blonde boy swinging his sword in service of rescuing the princess against a backdrop of soaring music. Though The Legend of Zelda franchise often dips into the eerie and the occult, its dominant mode is one of high adventure.
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